I'm not gonna lie. We've got a whole mess of HajimeSorayama books in our used fantasy art section. Of course this includes a number of titles showcasing his internationally famous Gynoids. I highly recommend that you come by and pick up a few copies of these classic masterworks. With technology so rapidly advancing you'll just be staring them (flesh) face to (polished steel) face a few years from now anyway and it's always best to be prepared. In fact, prepping for the Gynoids is only step one. After the GynoidsTHIS is lurking somewhere along that dark wormhole called life, and we all know where that tunnel leads... (here)
The most exciting event of the July is almost upon us, and I have a special bonus for the friends of Green Apple Books and Litquake, so read on!
On Thursday, July 14th Litquake will present Cabaret Bastille at CellSpace Gallery from 8pm - midnight, and you can bet your bottom euro that it's going to be fantastic!
BONUS ALERT: enter the word 'friends' when you purchase advance tickets through Brown Paper Tickets and you will receive advance tickets for only $10.00! CLICK HERE for tickets.
Litquake celebrates Left Bank Bohemia with authors channeling authors, French wine, tricolor cocktails, absinthe fountain, blue films from the ’20s, exotic dancing, and at least one accordion—flappers and dandies welcome!
Step into the enchanted word of 1920s Paris as your favorite authors read excerpts from their works:
Matt Stewart as Ford Maddox Ford Alia Volz as Anais Nin Mac Barnett as F. Scott Fitzgerald Alan Black as James Joyce Andrew Dugas as Ernest Hemingway Sarah Fran Wisby as Djuna Barnes Joshua Mohr as Henry Miller Daphne Gottlieb as H.D. Hosted by Tara Jepsen channeling Gertrude Stein
WITH:
Angus Martin on the accordion, accompanied by the lovely chanteuse Gabrielle Ekedal
Enchantress Yvonne Michelle Cordoba weaving her sinuous dance
About a month ago, a friend and I watched "Nostalgia for the Light," a documentary on Chile's Atacama Desert, the driest place on earth and, in this film, a poignant metaphor for the ways in which we locate ourselves in the universe.
Director Patrizio Guzman uses the spare facts of the Atacama--it is home to a group of observatories that collectively make up the Very Large Telescope and to a handful of abandoned mining towns that were converted into concentration camps during the dictatorship of Augusto Pinochet--to create a heart-wrenching portrait of longing and the varying ways we locate ourselves in the universe.
The film has two poles: one terrestrial, in which Guzman chronicles the attempts of a handful of widows, sisters and mothers as they sweep the desert for the remains of their loved ones executed (now almost 30 years ago) as dissidents and political prisoners; the other astronomical, as we follow the discoveries of scientists taking advantage of the lack of humidity in the desert to chart depths of space heretofore undiscovered. The juxtaposition evokes an almost unbearable pathos, but is beautiful on both the human and the universal scale.
The Horsehead Nebula
Coincidentally, a few days after seeing the film and learning of the history of the Atacama I received a call at the store from Bruce McPherson, founder of McPherson & Company, who wanted to inform me of the latest book he's published, Carlos Franz's The Absent Sea.
Franz, a Chilean whose novel arrives draped in praise by Nobel Prize winner Mario Vargas Llosa and the great Mexican novelist Carlos Fuentes, focuses his plot on one of Pinochet's concentration camps in that desert and traces the repercussions felt twenty years later in the lives of a newly returned exile and her daughter. One early reviewer compared The Absent Sea favorably to wunderkind Téa Obreht's The Tiger's Wife and another at Words Without Borders concludes her review by writing that The Absent Sea "is about human nature in its most vast, arid, and uncharted reaches."